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An empty auditorium features rows of green upholstered seats leading to a stage with a dark curtain, illuminated by soft overhead lights.

Black History, Told Through Design

We asked experts on Black design to share three spaces of personal significance that live on in their memories for Black History Month

(Above: Founders Church of Religious Science in Los Angeles, California. Photo by Mark Clennon, courtesy of the African American Cultural Heritage Action Fund)


Spaces are physical structures. But places? Places are something you feel. The environments we inhabit, and even those we simply visit, become sites of memory. They create meaning. They shape the stories we tell about each other, about the world, and about ourselves.

This Black History Month, we asked experts on Black design and Black history to tell us about three places that they find personally meaningful — sites that intersect with the Black experience writ large and that live on in their individual memories. Places they’ll never forget.

“We are born and have our being in a place of memory,” wrote bell hooks in Belonging: A Culture of Place. “We chart our lives by everything we remember from the mundane moment to the majestic. We know ourselves through the art and act of remembering.”

We also know ourselves through the built environment. Few understand that more deeply than Brent Leggs, Founding Executive Director of the African American Cultural Heritage Action Fund and Strategic Advisor to the CEO of the National Trust for Historic Preservation.

Leggs has dedicated his career to protecting the legacy of Black history embedded in the world around us — including through Conserving Black Modernism, a $4.65 million grant initiative the Action Fund created in partnership with the Getty Foundation to preserve modern architecture by Black architects and designers. To date, more than 21 sites across the country have received support.

Here are three places that resonate with Leggs. We think they’ll stay with you, too.

A confident man stands against a light gray background, wearing a dark blazer over a white shirt and a patterned vest, exuding elegance.
Brent Leggs
Founding Executive Director of the African American Cultural Heritage Action Fund and Strategic Advisor to the CEO of the National Trust for Historic Preservation

Founders Church of Religious Science

Los Angeles, California

“One of the most powerful expressions of Black modernism and spiritual thought translated into architecture is the Founders Church of Religious Science,” Leggs said. “Designed by pioneering modernist architect and the first Black member of the American Institute of Architects, Paul R. Williams, the building’s elliptical form, reinforced concrete, and geometric clarity reflect both innovation and intention at a time when Black designers were excluded from many professional spaces. For me, this church represents how Black design has long fused aesthetics, philosophy, and resilience into enduring civic and spiritual spaces.”

A round white building with decorative elements, surrounded by trees, traffic signals, and signs, conveys a serene urban setting.
The Founders Church of Religious Science, located in Los Angeles, was designed by Paul R. Williams, the first Black member of the American Institute of Architects.

Photo by Mark Clennon, courtesy of the African American Cultural Heritage Action Fund

An empty auditorium features rows of worn green chairs leading to a stage, illuminated by warm overhead lights, evoking a nostalgic atmosphere.
The church was awarded preservation funding in 2025 through the Conserving Black Modernism initiative.

Photo by Mark Clennon, courtesy of the African American Cultural Heritage Action Fund

Highlander Research and Education Center

New Market, Tennessee

“The Highlander Research and Education Center [a social justice leadership training school and cultural center] is a powerful example of how design can serve movement-building,” Leggs noted. Its spaces are intentionally modest, functional, and human-scaled — designed not to impress, but to bring people together to learn, organize, and lead social change. It’s personally meaningful to me because it reminds us that interiors don’t have to be grand to be transformative; they simply need to be designed with purpose and with people at the center.”

A modern-style building surrounded by tall grass and trees, featuring a prominent stone chimney and large windows for ample natural light.
Founded in 1932 and previously known as the Highlander Folk School, the Highlander Research and Education Center is a social justice leadership training school and cultural center in Tennessee.

Photo by Jack Wallace, courtesy of the African American Cultural Heritage Action Fund

Anne Spencer House and Garden Museum

Lynchburg, Virginia

“The Anne Spencer House and Garden offers an intimate view into Black creative life, where domestic interiors and landscape work together to nurture literary and cultural brilliance,” Leggs said. Anne Spencer was a Harlem Renaissance poet and civil rights activist; her home was a gathering place for Black luminaries including Martin Luther King Jr., Zora Neale Hurston, W.E.B. Du Bois, and Langston Hughes.

“The home’s scale, warmth, and connection to its garden reveal how personal space can serve as both a refuge and a site of intellectual production. Preserving this space matters because it honors the quiet, intentional design environments that have long supported Black artistry and thought.”

Anne Spencer was a Harlem Renaissance poet and civil rights activist. Her former home and garden, now a museum, are located in Lynchburg, Virginia.

Photo by by Kipp Teague

A cozy room featuring a green-framed mirror, vintage bookshelves, a floral wallpaper, and a round coffee table with a glass terrarium.
At the museum, more than 90 percent of Spencer’s original house and furnishings are still in place.

Photo by Lincoln Barbour, courtesy of the African American Cultural Heritage Action Fund