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Child therapy room with purple floor, blue exercise ball, built-in pink alcove with LED strip, therapist at computer with seated patient.

Designing Pediatric Healthcare Around the Whole Family

HDR’s Sara Gally explains how personal experience informed a pediatric care environment centered on dignity, normalcy, autonomy, and well-being.

(Above image: Lisa Dean Moseley Foundation Institute for Cancer and Blood Disorders at Nemours Children's Hospital by HDR. Photos by Barry Halkin )

This article was originally published in the October issue of i+s.

Hospitals are often remembered through emotions rather than floor plans. For Sara Gally, interior design principal at HDR, those memories are especially personal. As a child with a blood disorder, she knew what it meant to move through appointments, emergency rooms, and hospital stays with her mother by her side. Years later, that experience came full circle when she helped design the Lisa Dean Moseley Foundation Institute for Cancer and Blood Disorders at Nemours Children’s Hospital in Wilmington, Delaware—a 2025 IIDA Healthcare Design Awards Category Winner in the Hospitals (Pediatric) category.

Designed for children facing serious illness and the families navigating treatment alongside them, the institute extends care beyond clinical needs. Spaces for cooking, gathering, playing, and rehabilitation help preserve a sense of normalcy, while thoughtful details support privacy, dignity, and autonomy—small but meaningful ways of giving patients and families greater comfort and control during an uncertain time.

For Gally, designing the institute meant drawing on her experiences as a former patient and now a parent to imagine a healthcare environment where families feel fully supported and, above all, seen. Here, she reflects on the personal story behind the project and the role design can play in healing and well-being.

Smiling woman with long blonde waves and a navy ruffled-sleeve blouse seated at a white desk in a bright modern office with blurred chairs.

HDR principal Sara Gally leaned into her experience with childhood illness, as well as her perspective as a parent, while also gathering input from hospital stakeholders, to consider all angles of patient and family well-being in a long-term clinical environment.

HDR © 2022 Pete Lero, Rouse Photography Group

IIDA: As someone who spent time in hospitals as a child, what did returning to one as a designer mean to you personally?

Sara Gally: As a healthcare designer, I know that the bar for hospital design in most people’s eyes is pretty low. For most of us, finding ourselves in a hospital—whether as a patient or family member—often coincides with what might be the most difficult time in our lives. To me, designing in healthcare is an opportunity to not only raise the bar, but to provide comfort and support when we need it the most.

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Full-spectrum color is used throughout the unit, not only to brighten occupants’ days, but also to provide wayfinding. Brilliant shades of pink, purple, green, blue, and orange are tempered with simple and neutral wood doors and furnishings, white surfaces, and layered white and color accent lighting.

HDR © 2025 Halkin Mason

IIDA: You shared that walking through the completed institute with your mom and your own children felt like a full-circle moment. How did your personal experiences shape the way you approached the design?

Gally: While working on the Moseley Institute, I had so many memories of what it was like going to and from appointments, sitting in emergency rooms, and spending the night in the hospital with my mom sleeping beside me. At the same time, I thought of my own kids, and how difficult it would be to have to put our lives on hold to nurse them through serious illness.

Sunlit pediatric waiting room with a woman and boy playing chess at a round table by a large geometric window, child stacking blocks nearby.

Patients and family members can seek respite or company in any number of comfortable built-in seating nooks, daylit play spaces, and recreation rooms.

Photo by Barry Halkin

Pediatric clinic hallway with a nurse and child walking by a glass activity kitchen where staff assist a boy, while a girl reads a tablet in a green alcove.

Photo by Barry Halkin

Throughout the design process, we tried our best to empathize with both the patient and the parent. How could we make the environment less intimidating and more supportive? How could we keep patients and families connected to their day-to-day lives despite the disruption of hospitalization? How could we infuse a sense of control and empowerment for families during their stay? I feel very lucky to have been able to draw on my own experience to help answer these questions, and truly hope that the families who find themselves on this unit feel seen during their stay.

IIDA: The institute creates spaces for children and families to cook, gather, play, and simply spend time together—not just receive treatment. How did your understanding of whole-person well-being shape those decisions?

Gally: During my childhood illness, I was fortunate not to have to stay hospitalized for long periods. When thinking through the design of the multipurpose areas on this unit, I drew heavily on my experience as a parent instead. When facing long and potentially repeat hospitalizations, how can we provide a sense of normalcy through meal time, play, and peer interaction?

In addition to providing that sense of normalcy, we also wanted these spaces to improve outcomes. The kitchen isn’t just a place to prepare a meal; it’s a place to work with a nutritionist to learn how healthy eating can support your recovery. The rec room isn’t just a place to decompress; it’s a space where you can work with a physical therapist to regain your strength before returning home to continue care as an outpatient. We were so fortunate to have the chance to work with the brilliant, passionate staff at Nemours to create a space designed for both healing and well-being.

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Whimsical nature scenes featuring animals, plant life, and landscapes in hues that coordinate with different zones on the unit bring smiles to children and caregivers.

Photo by Barry Halkin

IIDA: Is there one design decision—or perhaps one space—that quietly embodies the project’s philosophy, even if visitors don’t consciously notice it?

Gally: It may seem trite, but the first thing that comes to mind is the privacy screen that separates the patient and family zone in the patient room. The suggestion for privacy between kids and their parents came from a mom whose son had once been a patient on the unit. Her son was a teenager, and she told me, “He didn’t want me seeing him getting changed, and he certainly didn’t want to see me changing either!” So often as parents, our inclination is to stay as connected as possible to our children, but when facing a long-term hospitalization, it’s important to recognize the dignity and autonomy of both the patient and the parent.

I’ll never forget seeing her again on opening day and touring through the unit with her. She was thrilled with the final result and thanked our team for listening. It was one of the most rewarding experiences of my career, both as a former patient and as a parent.

IIDA: Hospitals can leave lasting emotional memories. What feeling did you hope children and families would carry with them long after leaving the building?

Gally: More than anything, I hope the patients and families who use this space feel seen. Like the designers, builders and clinicians who worked together to bring this space to life did so with them in mind. The road to healing can be so difficult, particularly for kids. I hope this environment has a positive impact not only on their recovery, but on their path to becoming who they’re meant to be.

Want to celebrate this year’s award-winning spaces? RSVP for this year's 2026 IIDA Healthcare Design Awards Celebration here