The Royal Hotel Pays Homage to its Storied Past

A waterlogged former hotel, Victorian-era influences, and decay aren’t necessarily the first things that come to mind when thinking of modern hospitality design inspiration—but Giannone Petricone Associates’ refined approach results in a playful and elevated space: The Royal Hotel, a 2024 IIDA Interior Design Competition winner in the hotel category.

The 19th-century building in Picton, Ontario, has had past lives as a mercantile business, upscale hotel, venue, and dancehall—a place for both travelers and the local community to gather, drink, and socialize. When Greg Sorbara—former Ontario finance minister, Toronto real estate developer, and whose family owns the nearby Edwin County Farms—bought the building in 2013, his goal was to preserve the town’s history while returning the hotel to its previous grandeur and purpose. Enter Ralph Giannone and Pina Petricone of Toronto-based Giannone Petricone Associates.

Upon acquisition, the building was in such a state of ruin that rooms were carpeted in moss and interiors were crumbling, almost appearing to have been submerged underwater, but there were still traces of fixtures, wallcoverings, and other design elements—some original. “The main challenge was to create an architecture that is transporting while still rooted in the local rural context,” says the firm. The result is a 31,000 square-foot hotel considers to its past, its present, and future, with details that are almost apparitional in their whimsy.

Paying homage to—and abstracting—the hotel’s Victorian roots, the design also honors the region’s agricultural importance—in fact, much of their food is from the local Sorbara-owned Edwin County Farms—and its history as a mercantile building. The contrast between British tradition and the informality of rural Ontario offers varied surfaces, treatments, and materials, while one of the foundational design concepts, “petrified” Victorian textiles” are woven through the hotel in unexpected ways, from tartan-patterned mosaics to an linen cloth unfurling around the parlor fireplace. Another glimpse into the past, The Royal Annex, is the rebuilt horse stable that now houses five suites.

The Royal Hotel Giannone Petricone Historic Facade Courtesy of The Royal Hotel — The Royal Hotel historic facade. Image courtesy of The Royal Hotel

Amenities like the spa, gym, boardrooms, meeting rooms provide a draw in the winter seasons of the burgeoning food and wine region—and the streetside café, four bars, and fine dining make for hospitality options that don’t only depend on tourism. This award-winning project serves as a benchmark for future heritage conservation efforts in the area.

The Royal Hotel Giannone Petricone Pre Construction Guestroom Credit Greg Pacek — The dilapidated rooms contained layers of wallcoverings and bright paint marking the building’s storied history.

Greg Pacek

The Royal Hotel Giannone Petricone credit pre construction room Greg Pacek — Moss covered the floors of the decaying rooms to the extent that, in some spots, it looked like carpet.

Greg Pacek

The Royal Hotel Giannone Petricone Pre Construction Hallway Credit Greg Pacek — The water-damaged grand staircase was in a shockingly deep state of disrepair.

Greg Pacek

The Royal Hotel Giannone Petricone Pre Construction Stairwell Credit Greg Pacek — The crumbling interiors reflect decades of neglect, but contained some original elements.

Greg Pacek

The ten-year project began with salvaging and restoring three of the hotel’s brick walls, opening the rear of the building, adding terraces, and bringing more light in. Reconfiguring the space into 28 guest rooms came next, working in amenities and hospitality spaces including a garden terrace, bars, and a swimming pool. The street-level spaces are designed for flexibility—filled with sunlight during the day, yet moody and dim in the evening—places to gather and meet at any time, and open not only to guests, but to the public as well.

The Royal Hotel Giannone Petricone reception credit doublespace — The reception area features a tufted reception desk backed by shelving that evoke studs stripped of drywall providing a sense of active transformation, and an off-center “carpet” of mosaic tiles which lend an informality to the space

Doublespace

The Royal Hotel Giannone Petricone Associates Cafe credit Doublespace — The reception area, lined in slot seam leather wall panels, seamlessly blends into the street side café, blending the guest and public spaces.

Doublespace

The Royal Hotel Giannone Petricone cafe bar credit Greydon Herriott — The coffee bar features a fluted marble counter, and the wood fin motif continues, delaminating from the wall and around the bar.

Greydon Herriott

The Royal Hotel Giannone Petricone parlor fireplace credit doublespace — The floor-level parlor contains a plaster fireplace surround that conjures the unfurling of a fresh white table linen—one of the many instances of “petrified” textiles throughout the spaces.

Doublespace

To open the low ceilings inherited from the original structure, the design team reimagined an original ceiling rosette as a “mushroom cap” constructed of acoustic-board fins, and accented by “dew drops” of custom ceramic pendants that call back to the quintessential Victorian ceiling lantern. The final result invokes a dreamy atmosphere that conjures evenings spent in dancehalls of the past. The restaurant opens to a four-season patio with retractable walls, a garden terrace, and beyond that a pool flanked by lounge chairs for the summer months.

The Royal Hotel Giannone Petricone restaurant credit Graydon Herriott — The centerpiece of the restaurant is the “dew-dropped mushroom cap,” a stand-in for the quintessential Victorian ceiling lantern and rosette.

Graydon Herriott

The Royal Hotel Giannone Petricone kitchen credit doublespace — A proscenium arch of oak, glazed tile, and heavy drapes frame the open kitchen, positioning the chefs as performers and the kitchen as the stage where they create show-stopping farm-to-table cuisine.

Doublespace

The Royal Hotel Giannone Petricone porch credit Jeff Mc Neill — The four-season patio opens to the garden terrace, which features a vintage RV bar and lounge seating options.

Jeff McNeill

The Royal Hotel Giannone Petricone Credit Doublespace — Surrounded by a redbrick garden wall, the garden terrace features an intimate 10-person table complete with a fireplace and covered by a pergola—through the perforated gate lies the pool.

Doublespace

Throughout the hotel, lights, air vents, and columns pierce the ceilings in a ripple effect, like pebbles being dropped on water—a clever nod to the building’s “previously submerged” appearance. The plaster ripples replace traditional Victorian ceiling rosettes. The repeating motif of “petrified textiles” also appears in tartan-patterned mosaic, inlaid tile “rugs,” varying hardwood floor patterning, textured walls, and headboards whose design takes the form of squared-off embroidery hoops.

The Royal Hotel Giannone Petricone tartan tiles credit doublespace — In the guest room bathrooms, white scalloped vanities evoke a bowl sitting on a tablecloth, and tartan-patterned mosaics draw upon the formal history of the hotel, while embodying the “petrified” textile motif.

Doublespace

The Royal Hotel Giannone Petricone guest room credit doublespace — The guest rooms feature headboards that are designed to resemble an embroidery hoop, complete with cross-stitched details.

Doublespace

The Royal Hotel Giannone Petricone annex suite credit doubletree — The Empire Suite incorporates a fumed-oak wall reminiscent of a Victorian–era dressing screen, tartan-patterned tile floors, and a ceiling rosette interpreted as a water ripple.

Doublespace

The Royal Hotel Giannone Petricone library credit doublespace — The cozy library features ripple-like ceiling rosettes and dark tambour paneling resembling corduroy—with the fireplace surround invoking a rustic feel.

Doublespace

The design of Royal Hotel, while drawing from different eras and varied inspirations, is unified through details that encapsulate the essence of lives lived within the building’s walls over its two-century life.